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DORKS DREAM BIG AND CREATE GEEK

November 15, 2007

Back in their H.D. Jacobs High School days, when Kurt Larson and Michael Marsico were self-confessed dorks, they'd escape the Algonquin cornfields by piling into an old, windowless van with their friends and driving to the vintage, 800-seat movie theater in Crystal Lake.

"We saw 'Forrest Gump' there, 'Dumb and Dumber,' the Batman movies," said Marsico, now 30, recalling the blockbusters of the 1990s. "There was nothing in Algonquin, nothing. We had to go to Crystal Lake."

On Friday, Larson and Marsico will return to the old theater, now known as the Raue Center for the Arts, but this time they'll be the stars. They're hosting a free screening of their independent film, "The Alpha Geek," as a thank you to the hometown folks who have supported them since they moved to California seven years ago to pursue their own Hollywood dreams.

"The most important thing for us is to bring the movie back home and the only place we were willing to show it is at the Raue Center," says Larson, who wrote "The Alpha Geek." He also stars in the film and co-produced it alongside Marsico, his business partner and longtime friend.

After Larson and Jacobs met while performing in the Jacobs improv group, The Insanity Players, the two realized they both wanted to make it big in pictures. Although Larson went to Bradley University to study broadcasting and Marsico headed to Florida for math education, Larson persuaded Marsico in 2000 to join him on a move to Hollywood.

Not a dream deferred

"We wanted to do it while we're still young so we didn't look back when we were 30 and say, 'We should've given it a shot," said Marsico.

Instead, both now 30-year-old-men have the satisfaction of looking back on fairly successful 20-something careers. Marsico's acted in short films and did a stint on "MAD TV." Larson's credits include appearances on "ER," "JAG" and in the films "Jarhead" and "The Terminal."

Although Larson's three dozen lines ended up being cut from "The Terminal," the mere experience of sitting down with Steven Spielberg and Tom Hanks to work on a scene was still a dream come true.

"Hanks walks up and says, 'How are you doing Kurt, my name is Tom,'" Larson recalled. "Like I didn't know."

Two years ago, the men decided that it was time for them to start making a mark on Hollywood with their Algonquin sensibilities.

"There's a certain heart where we're from that seems to be lacking out here," Larson said. "I miss the feeling that every single person on the street cares about you."

So the two raised $75,000 to produce "The Alpha Geek," the humorous coming-of-age story of a young man, Riley (played by Larson), who tries to leave his successful life as a sci-fi writer after being dumped.

"He doesn't want to live in this geek world anymore, he wants to be a bit of a player," Marsico said. "My character, his friend Nick, is all for this, because as far as he is concerned he can feed off the table scraps that Riley doesn't want."

In the end, of course, Riley realizes that he needs to stay true to himself, and he's helped along this journey by a relationship with an older woman.

It took Larson and Marsico two years to fund, film and edit "The Alpha Geek." They enlisted Hoffman Estates native Kurt Gellersted, a successful musician, to write the score. The movie is just a stepping stone to more ambitious projects, but the men are proud of their first feature film and can't wait to show it to those who have supported them.

"One day you are on top of the world and the next you want to jump off a building, because you're constantly rejected," Larson said. "When I get e-mails from old teachers or people I haven't heard from in years telling me they're excited (about my career), the excitement I had when I first came out here comes back to me."

Marsico hopes "The Alpha Geek" will inspire other suburban teens whose idea of fun is dressing up in Batman costumes and hanging out at the movie theater filming the audience's reactions, as he and Larson did on one memorable occasion.

"Hey kid out there who lives in Algonquin, if this is what your dream is, you can make it happen," Marsico said. "It doesn't matter that you're from a small town, you can make this happen with just a little bit of perseverance and hard work."

'THE ALPHA GEEK'

7:30 p.m. Nov. 16 at the Raue Center, 26 N. Williams St., Crystal Lake. Free.

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Luther College Alumni Magazine, Fall 2007

 

 

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New York Post

SCORE ONE FOR HIP, HAPPENIN' 'WILLIAMSBURG!'

By FRANK SCHECK

August 21, 2007 -- THE Lower East Side is so over. Exhibit A: "Williamsburg! The Musical," a looser, comic "Rent," minus the melodrama, about Brooklyn's hipster hangout.

The cast of characters is suitably eclectic, including a Hasidic dry cleaner, a suicidal trust-fund heiress ("I can't keep up with the fashion trends around here!"), a Puerto Rican bodega owner, a Polish landlady who keeps herring and knishes under her coat, and a rapacious real estate developer turning the entire population into an army of hipster zombies.

That last part is the show's most realistic element.

"Williamsburg!" - created by Will Brumley (book), Kurt Gellersted (music), Brooke Fox (music and lyrics) and Nicola Barber (additional material) - is best appreciated for its witty songs ("Peter Luger Lullaby," "Craigslist Hook-Up," "Million Dollar Crackhouse"), exuberant staging and choreography and energetic cast of 14 than its barely-there story line.

In short, the show needs work, lots of work, but it's promising enough to warrant further development.

WILLIAMSBURG! THE MUSICAL

Village Theater, 158 Bleecker St.; (212) 279-4488. Through Friday.

 

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September 5th, 2002 - Schaumburg, IL

 

Composer Releases Requiem

By Robert Loerzel, Diversions Editor

Kurt Gellersted, a Hoffman Estates native, started composing a choral and symphonic piece as a way of remembering his Father, Guy Gellersted, who had died in 1996. But after the events of last September 11th – when Gellersted watched from his New York apartment balcony as the second World Trade Center Tower collapsed – the composition became a piece about that tragedy as well.

“It took on two meanings,” he said.

Gellersted is now releasing a CD of Requiem, featuring a live performance of the work from this spring.

After spending his undergrad years at Luther College in Decorah, Iowa, Gellersted went to New York University’s Steinhardt School of Education to study Music Composition.

Last December, he made his conducting debut when NYU’s University Singers, of which he was a member, premiered his chamber piece “He is the spirit.” After hearing the selection, Jeffrey Unger, Director of the NYU Choral program, was intrigued.

When he learned that Gellersted’s next piece was to be an eight-movement requiem, Dr. Unger asked if he could hear bits of the then-unfinished score. After Gellersted played through some movements at the piano, Unger chose the piece as a closer for the University Singers Spring concert, which this year was presented in memory of the World Trade Center Tragedy.

Joining the University Singers for the April 18 performance were NYU Faculty soloists supported by a 23-person chamber orchestra featuring Manhattan School of Music students and others. Performed at the 1200-seat St. George’s Episcopal Church, it was the largest student-composed work performed in NYU’s history.

“I ended up having to fund the concert myself, which came out to around $5,000,” Gellersted said. “My biggest challenge was putting together a 23-piece orchestra from scratch.”

Describing his music, Gellersted said, “It’s the romantic, classical sound, with a modern twinge to it.”

Since graduating in May, Gellersted, who is 24, has been seeking commissions as a composer – and looking for a day job to support his music.

 

 

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